Deadpool Artwork (and Telugu Parody Poster)

Everything about the upcoming Marvel Comics’ superhero movie Deadpool looks brilliant.  I have not read any of the comics, but when the first trailer was released a few months ago, the movie seemed interesting.  After that, there have been a number of posters and trailers that have come out, and all of them were very creative and well done.  I was really inspired by these and so did a drawing, and also made that into a poster, which you can see below.

Deadpool Artwork by Karthik AbhiramDeadpool stars Ryan Reynolds as Wade Wilson, a former soldier who is diagnosed with terminal cancer, but is put through an experimental treatment that leaves him with incredible regenerative powers (but also makes him completely disfigured so he has to wear a mask and a suit).  From the trailer, it looks like the people who put him through the experiment also kidnap the love of his life, and he has to go after them.

The character was featured in X-Men Origins: Wolverine (also played in that movie by Ryan Reynolds), though he was just some generic villain there.

This movie though, is proudly Rated R for strong violence and language throughout, sexual content and graphic nudity, and the studio issued multiple Red Band Trailers with violence and offensive jokes.

The first trailer that came out for this movie ended with Deadpool sniffing the smoke coming from his guns, and then saying “Oh, I’m touching myself tonight”, and this drawing depicts that scene (in the trailer though, you only see an extreme close-up of his face).  How I came to choose this scene to draw is this – you see, interestingly, the studio seems to be investing quite a bit to promote this movie in India (though Deadpool is not a known character here), and are releasing dubbed versions of the movie in Hindi, Tamil and Telugu apart from the English version.  A friend literally translated that line into Telugu and in a later WhatsApp conversation, suggested that the title would also be translated, and he came up with “Chacchina Cheruvu” (a pool or a lake that is dead).  I thought I would make a poster out of it.

Here is the Telugu parody poster.  This is all done in fun, no offense meant.

Deadpool Poster Telugu Version - Art by Karthik AbhiramIn the English version of my poster, the line I used is also from the first trailer, in which Wade Wilson tells the people putting him through the experiment, not to make the super-suit green, or animated.  This is a reference to the DC Comics movie Green Lantern, which also starred Ryan Reynolds as the titular superhero, and in that movie, his suit was green and animated.  I did not like that movie at all, and apparently neither did too many other people, so a joke on that ended up in Deadpool.

The drawing was done on an A4 size drawing pad, with a 6B pencil, and a red colour pencil.  For the belt I used an orange pencil.  The drawing was scanned once done, and I added the background and the text in Photoshop.  Here are the stages of the drawing –

Deadpool Artwork - Stages - by Karthik AbhiramAnd this is the rough sketch of the poster concept.  There were initially supposed to be blood splats behind Deadpool, but when I tried that it didn’t look good.  Since Deadpool’s suit is also red, the red colour of the blood was distracting.

The tagline and the title of the movie in Telugu, I had decided, would be in the Deadpool font but would have an English translation below it, sort of like a movie subtitle.

Deadpool Poster RoughThe below Instagram post shows you the finished drawing and the pencils used to make it.

Here is a short behind the scenes video that I also posted on Instagram, early on in the process of drawing.

Here below, are links to all the trailers that inspired this drawing.  All of them are YouTube links which will open in a new window / tab.

  • Red Band Trailer 1 – Released a few months ago, this is the one that has the “I’m touching myself tonight” bit.
  • Red Band Trailer 2 – This is the second trailer for the movie released on Christmas Day, and is a pretty awesome trailer, the one that made me even more interested in the movie.
  • Green Band Trailer 2 – The “safe for work” version of the previous trailer, with no swearing and violence.  All the Indian language trailers are dubbed versions of this trailer.
  • Hindi Trailer – The first Indian language trailer, based on the Green Band Trailer linked above.  Probably, the one with the most swearing in it.  Buzzfeed India featured an article about this trailer, which has captioned screenshots from it.  You can see the article here.
  • Tamil Trailer – Second Indian trailer, nothing much offensive about it.
  • Telugu Trailer – Third Indian trailer, again, not offensive at all.

These are the three songs used in the trailers (again, YouTube links).

The font used in the poster is called Rogue Hero.

A version of this artwork is available for you to purchase as a print (sans text), on my Postergully store.  You can purchase it as a poster, or as a T-Shirt.

Deadpool will be out in theatres on 12-Feb-16 in India.  I’ll see it in as many languages as I can theatrically, and then watch an uncut version later (since sadly, I know that our censors would make cuts to the movie inspite of giving it an adults only certificate).

The Hateful Eight

The Hateful Eight is Quentin Tarantino’s Eighth Film (well, it is if you consider Kill Bill as one movie).  Being a huge Tarantino fan (his Pulp Fiction is one of my all time favourite movies), I was eagerly awaiting the release of this movie, and I finally got to see it a few days ago.  As expected, I loved the movie, and did this drawing of Samuel L Jackson as Major Marquis Warren from it –

Samuel L Jackson as Major Marquis Warren from The Hateful Eight - Artwork by KarthikThe movie is set a few years after the American Civil War.  It opens showing us a stagecoach with two passengers – bounty hunter John Ruth “The Hangman” (Kurt Russell) and his prisoner, Daisy Domergue (Jennifer Jason Leigh), heading towards the town of Red Rock, trying to escape a blizzard.  They are soon about to have company – stranded in the snow are Major Marquis Warren (Samuel L Jackson) and Chris Mannix (Walton Goggins), and the two are picked up by the stagecoach.  In order to escape the blizzard, the party must stop midway at a place called Minnie’s Haberdashery, where they must stay for the next few days.  Already at Minnie’s are a few other characters – Red Rock’s Hangman, Oswaldo Mobray (Tim Roth), Joe Gage (Michael Madsen), Bob the Mexican (Demian Bichir) and General Sanford Smithers (Bruce Dern).

Pretty soon, suspicions arise, and John says that one or more of the people at Minnie’s are not who they say they are, and they may have their own agenda involving the bounty on his prisoner.

What follows is an engaging mystery-thriller-Western hybrid that keeps one completely absorbed for three hours.  The characters in all of Quentin Tarantino’s movies seem to be crafted with a lot of love, and it is no different here, and the actors really bring them to life with their excellent performances (Leigh and Jackson are standouts).  The dialogues and screenplay are great, as is typical of a Tarantino movie.  The first half of the movie might be considered to be a little slower moving, but it builds the characters so it’s necessary.  The movie picks up pace in the second half.

The movie features beautiful cinematography (by Robert Richardson, who has shot all of Tarantino’s movies after Kill Bill, except for Death Proof).  It was shot in a process called Ultra Panavision 70, where the image is shot on 70mm film but using anamorphic lenses to create a very wide image (2.76:1 aspect ratio as opposed to the typical 2.35:1 widescreen image if movies are shot on 35mm film or digital).  This is apparently only the 11th film to be shot in that process, and there exists a “Roadshow” version of the movie which was projected on film as well, in selected theatres in the US.  The sweeping and snowy landscape scenes look great, but one might question what difference would filming in 70mm make, to indoor scenes.  It affords the opportunity to create some interesting compositions, as there are several shots where the entire frame is used to show different characters in the foreground as well as background.  There were a couple of instances where I noticed the use of a split-focus diopter to get different planes in focus in the same shot.

Unlike several of Tarantino’s movies, which used previously existing music, this one features original music written for it, by Ennio Morricone (the composer for Sergio Leone’s westerns such as The Good, The Bad and The Ugly). I thought the music was very good and liked the opening theme in particular.

One of the inspirations for The Hateful Eight was the 1982 John Carpenter horror movie The Thing. That movie also stars Kurt Russell, it is set in an isolated place in extreme cold, it has characters who are not what they seem to be and a sense of paranoia among the other characters. That movie was also scored by Ennio Morricone (interestingly, John Carpenter got Morricone to score the movie and made him do a very John Carpenter-ish music score), and in fact, The Hateful Eight uses a couple of tracks from The Thing on its soundtrack, and some of the other music is unreleased music originally composed for the 1982 film.

I loved the movie overall.  I felt Django Unchained was a little more enjoyable and more upbeat compared to this movie (the two are set in the same Universe). Overall, I would rate it a solid 9/10.

Warning: If you are watching this movie in a theatre in India, beware that it is cut.  Swear words are muted, but not completely consistently (for example, the occasional “fuck” is audible, while most instances of “bitch” are muted).  It’s distracting.  They have also cut the bloodier scenes, so you would be puzzled at the fate of at least two of the characters whose death is not shown.  You would still be able to enjoy the movie (the cuts total to around 2 minutes), but it’s not the way the movie was intended to be seen.  Unfortunately, if you want to enjoy the theatrical experience, you’ll have to tolerate these alterations.  Of course, there are ways to see the missing scenes if one wants.

It’s sad that there need to be cuts in a movie that is already certified as “A”, suitable for adults only – something I have been against for several years.  David Fincher’s The Girl with the Dragon Tattoo and Fede Alvarez’s Evil Dead didn’t even get a theatrical release in India, while Fincher’s Gone Girl had some weird pans and zooms to cover nudity.  Our censor board is only promoting piracy by doing this!

The version of the movie that I saw (PVR Cinemas at Hyderabad Central Mall) seemed to be projected in 2.35:1 ratio.  While I don’t think any part of the image was cropped, it seemed to be squished horizontally to fit the 2.76:1 frame into the 2.35:1 shape.

Extras

The below video talks about the different widescreen processes (and aspect ratios) that have been employed by filmmakers through the years –

And this video talks about the “Roadshow” version of The Hateful Eight, and also about how Panavision supported Tarantino in shooting this movie on glorious 70mm film –

The Opening Credits feature two fonts (apart from the title of the movie itself, which I think is hand made) – as far as I can make out, the names of the cast are typeset in Rockwell, and the rest of the credits are in Tarantino’s favourite ITC Benguiat.

The movie features Red Apple tobacco (which is a fictional brand used in many of Tarantino movies).

The Samuel L Jackson drawing which I did (in ballpoint pen on paper), is available to purchase here at my Postergully store.  Postergully ships worldwide, and their prices are reasonable.  The prints are of good quality too.  Visit my store here, and if it is your first purchase at Postergully, you can use the code PGARTIST to get a 15% discount.

Quentin Tarantino’s Vega Bros. Poster [What If?]

In an alternate universe, Quentin Tarantino would have written and directed a movie called Vega Bros. starring John Travolta as Vincent Vega (from Pulp Fiction) and Michael Madsen as Vic Vega (from Reservoir Dogs).  Here is a teaser poster for that fictional movie –

Quentin Tarantino's Vega Bros. Teaser Poster - Artwork by Karthik AbhiramThis was a quick drawing done with a 6B pencil on paper, and then scanned and edited in Photoshop.  The text is simple and is in Futura Heavy Oblique.  The fictional release date is my birthday in 1997.

RoboCop 1987 Drawing

This is a drawing based on Paul Verhoeven’s 1987 movie RoboCop that I did this morning. I watched the remake yesterday and the original a couple of days before that. That’s what inspired this drawing.

image

I am very nostalgic about the original RoboCop. It was a movie I practically grew up with.  This drawing was done with a 6B pencil on paper and the image above is a photo taken with my phone, processed with VSCOCam for Android and this post is being made from my phone only.

Here’s a RoboCop drawing that I did 19 years ago –

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The remake was pretty good. The good thing about it was that it was very different from the original so you judge it on its own merits.  But nostalgic feelings considered, the original wins out in my opinion!

Nine Inch Nails: The Fight Club Soundtrack [What If?]

In an alternate universe, this would exist –

Nine Inch Nails - Fight Club Soundtrack - Fake Album Artwork by Karthik AbhiramThink about it – there’s a line of dialogue in David Fincher’s Fight Club (one of my all-time favourite movies), where the Narrator (Edward Norton’s character) says, “With insomnia, nothing’s real.  Everything is far away.  Everything is a copy of a copy of a copy.”  One of the songs from “Hesitation Marks”, the latest album from Nine Inch Nails, is called “Copy of A”.  When I heard this song, the first thing that came into my mind was Fight Club.

The 2005 song “Only”, by NIN, from their album “With Teeth” also could be considered to have reference to Fight Club in the lyrics [SPOILER ALERT] – “I just made you up, to hurt myself” / “There is no you, there is only me.”  The music video for “Only” was directed by David Fincher.

Trent Reznor and Atticus Ross of Nine Inch Nails would go on to create the soundtracks for two of David Fincher’s movies – The Social Network (2010) and The Girl with the Dragon Tattoo (2011).

Therefore, there definitely must be an alternate universe somewhere, where the soundtrack for Fight Club was done by Nine Inch Nails and not by The Dust Brothers!  Above, is my representation of what that album cover would look like.  There’s Edward Norton and Brad Pitt as Tyler Durden from the movie, and in the centre, is Trent Reznor, the frontman of Nine Inch Nails.

Trent Reznor - Drawing by Karthik AbhiramI had this idea today while listening to “Copy of A”, and I proceeded to draw this in a gel pen on paper, and then scanned it in and added some paper texture and the text.  The text is in the font Reznor: Downward Spiral.

Trent Reznor Drawing, the Instagram Edition - Artwork by Karthik AbhiramReference images – Edward Norton is from a screenshot from the movie itself, Brad Pitt is from a publicity still, and Trent Reznor is from the recent Rolling Stone Magazine cover.  The Fight Club lettering on top is my hand-drawn imitation of the font Mrs Eaves Bold Italic.

Above are a couple of Instagram / Snapseed edits of in-progress photos of the drawing.  Edit of a photo of a drawing – that’s also a copy of a copy of a copy, isn’t it?

Here is a shot of the notebook page (A4 size) with the pen I used to draw it –

Nine Inch Nails - Fight Club Soundtrack Album Cover - Drawing by Karthik AbhiramThe “Paper Street Record Co.” is a reference to the “Paper Street Soap Company”, Tyler Durden’s soap-making outfit.

You can listen to the entire album “Hesitation Marks” here.  Below, I’ve embedded YouTube videos of the songs that inspired this drawing.

Nine Inch Nails / “Copy of A” –

Nine Inch Nails / “Only” –

Kick-Ass 2 Drawing

This weekend (including Friday night), I watched three movies in the theatre – Jobs, Madras Cafe and Kick-Ass 2.  Out of the three, the most entertaining one was undoubtedly Kick-Ass 2 and I had a real blast watching it.  Hence, this drawing, done today –

Kick-Ass 2 - Drawing by Karthik AbhiramI drew this one in pencil, then scanned it in, added the paper texture in the background and the text.

I like how they expanded upon the storyline established in the first movie.  The movie shows us how Kick-Ass (Aaron Taylor-Johnson) inspired other people to fight crime in costume.  Kick-Ass joins a Justice League-type outfit led by Col. Stars and Stripes (Jim Carrey).  Meanwhile, Mindy Macready (Chloe Grace Moretz) is trying to adjust to life in high school and trying not to be Hit-Girl.

Gangster kid Chris D’Amico (Christopher Mintz-Plasse) reinvents himself as the super villain The Mother Fucker after Kick-Ass killed his dad in the first movie, and starts assembling an army of thugs to take over the city.

Kick-Ass 2 is a proudly A-rated movie (and I was overjoyed that it was released uncut in theatres here), it’s crude, ultraviolent, and a whole lot of fun.  Christopher Mintz-Plasse was absolutely hilarious as The Mother Fucker, Jim Carrey was great, and as expected, Chloe Grace Moretz was outstanding as both Mindy and Hit-Girl.  I liked the new superhero characters – Doc Gravity, Night Bitch, and the villains Mother Russia, Black Death, Genghis Carnage.  Loved the action scenes and the one-liners.

I read some of the original Kick-Ass comics by Mark Millar and John Romita Jr, but not Kick-Ass 2.  My cousin tells me that the movie follows the book pretty closely.

Kick-Ass 2 has more action than the first and there’s a lot going on.  I liked both movies about equally.  This one I’d rate an 8/10.

Kick-Ass 2 - Artwork by Karthik AbhiramAbove is an in-progress version of the drawing.  The completed poster of mine has the working title for the movie, Kick-Ass 2: Balls to the Wall (I wonder why they changed it).

Check out the extended Red-Band trailer here:

There are two good pieces of music from the soundtrack.  The first one is a version of “When the Saints Go Marching In”:

And this one is a version of “Korobeiniki (Traditional Russian Folk Song)”.  I didn’t know it was a folk song.  You might know this music better as the theme from the game Tetris!

Stay back for the credits of the movie – there’s a short scene afterwards.

Evil Dead 2013 – Another Drawing

The Evil Dead 2013 Drawing post on my site seems to have become one of the most popular pages here, thanks to everyone who retweeted and shared the link at various places.  I think it was one of the earliest pieces of Fan Artwork to be put online for the movie, and that’s why it got noticed.  Besides, I think that’s a pretty good poster for the movie, if I do say so myself!  I did another piece of artwork based on the movie, this one done entirely digitally, on my Micromax Canvas HD phone.  Here it is –

Evil Dead 2013 Fan Art - Drawing by Karthik AbhiramThis was done using a few apps – the basic drawing itself was done on Sketch Guru (the app seems to have been renamed to Paint Joy now), I then got it into Snapseed and added the textures, grunge look and the frame, and then finally took it into Pixlr Express to add the text.

The drawing is based on the opening scene of the movie, that shows a possessed girl.  That scene is probably up there on the list of effective movie opening scenes – it really gets you into the movie!

Here is the drawing sans text, if the language is not your cup of tea –

Evil Dead 2013 Drawing 2 - Artwork by Karthik AbhiramMany months after I did that early fan art for Fede Alvarez’s Evil Dead 2013, I finally got to see the movie.  Sadly, the movie was not theatrically released in India, due to the graphic violence and blood, so I had to wait till it was released on disc.  The movie is very well done, I will write a detailed review of it in another post.

[UPDATE 13-AUG-13]:

Here is a video showing how this drawing was made –

I filmed it on my Nokia 808 PureView phone.  The music used is a remix of “Closer/Last” by Nine Inch Nails.

 

 

 

Raw Deal

I am a big fan of 1980s action movies, and as a kid, I used to idolise Arnold SchwarzeneggerCommando, Predator and Terminator 2: Judgment Day I think I would have seen about 50 times or more.  Well, recently, I was looking up some 1980s music tracks on YouTube and I came upon the track “Kaminski Stomps” from the 1986 Schwarzenegger movie Raw Deal.  This is one of Schwarzenegger’s lesser-popular movies from that era, and I had only seen it a few times, many years ago (watched it in the theatre when I was in school, and then later on on VHS, and on TV).  So I rewatched it a couple of days back, and while not up to the standard of those other movies, this was pretty fun.  That inspired this drawing –

Arnold Schwarzenegger in Raw Deal - Drawing by Karthik AbhiramThe drawing was done in ballpoint pen mostly.  I used a bit of red gel pen to add the blood splats, and the gun was done with a black marker pen.  Nothing that fancy.  I scanned the image and then added a paper texture to it, and then the text, in Helvetica Neue font.

You may notice that the title of the movie is different in my poster – it says Triple Identity.  That was one of the working titles for the movie, before it got retitled to Raw Deal.  I thought that sounded stylish, so I used that instead.

The movie stars Schwarzenegger as Mark Kaminski, an ex-Federal Agent working as a Sheriff in a small town (doesn’t this sound very similar to his 2013 The Last Stand?), after a legal case forced him to resign.  He is approached by the FBI’s Harry Shannon (Darren McGavin) to infiltrate the gang of Chicago mobster Luigi Patrovita (Sam Wanamaker) and take the whole operation down.  Kaminski enters the gang posing as the criminal Joseph P Brenner, and what follows is a fun outing as he carries out what he was asked to do.

I’d rate the movie overall a 7/10, as the action quotient is a bit less here, but one thing to enjoy are the one-liners.  I also liked the music by Cinemascore (which I guess is an umbrella term for the people who contributed music to the movie – Chris Boardman, Tom Bahler, Albhy Galuten).

In-progress Drawings

Here are a few in-progress shots as I was drawing this.  These were all taken on my phone (Micromax Canvas HD) camera and processed in Snapseed.  The collage was made with the PhotoGrid app and I finally posted both of them on Instagram.

Arnold Schwarzenegger in RAW DEAL - Artwork by Karthik Abhiram - In-ProgressThis below picture I call “Kaminski Stomps”, after the name of the track that inspired me to do this entire drawing.

Arnold Schwarzenegger in RAW DEAL - In progress artwork by Karthik Abhiram

Soundtrack

You can find music from the soundtrack uploaded on YouTube.  Below are two of my favourites.

“Kaminski Stomps” – this is the track that plays during the end credits –

“Brains & Trains” – this is the track that plays during the opening scene of the movie –

The movie is good fun.  Nobody Gives Schwarzenegger a Raw Deal!

David (2013 Hindi Version) – Review and Drawings

Ever since I saw the trailers for the Bejoy Nambiar movie David (a couple of months back), I have been eagerly waiting to watch the movie.  I really liked the director’s debut feature Shaitan, and from the looks of it, this movie seemed to be bigger and more ambitious.  I finally got to see the movie yesterday (at Cinemax, Banjara Hills) and thought it was very good, and that inspired me to do four drawings (all of them in this post).

David - Drawing by Karthik AbhiramFirst about the movie – David consists of three stories, each with the protagonist named David.  These are presented in an intercut fashion (as was done in Cloud Atlas), that come together by the end.  The first story is set in 1975 London, with Neil Nitin Mukesh as David, a gangster and an adopted son of Iqbal Ghani (Akash Khurana).  The second David is played by Vinay Virmani in a story set in 1999 Mumbai.  This David is a musician and lives with his Christian father Noel (Nasser) and his sisters.  Everything changes when a Hindu fundamentalist, Malti Tai (Rohini Hattandgadi) orchestrates an attack on Father Noel.  The lightest segment of the three is the one set in 2010 Goa, about drunken fisherman David (Vikram) who falls in love with a deaf-mute girl Roma (Isha Sharvani), who his friend is going to marry.

The acting by the leads and supporting characters in all three segments is very good, and the movie is well written.  It’s a little long though and the stories themselves I thought, were good but not anything extraordinary.  However, where David absolutely excels is in its storytelling – the way it is all put together.  In Shaitan, Bejoy Nambiar used stylish camerawork and music wonderfully – here he just takes everything one step further.

David is one gorgeous looking movie.  Three different cinematographers worked on the movie – “Gangster” is shot by Sanu Varghese, “Mumbai” is shot by P S Vinod, and “Goa” is shot by R Rathnavelu.  The work by all three (and their respective crews) is absolutely stellar – featuring beautifully composed visuals and wonderful lighting.  The colour palette is different for each sequence, so you always know which story any particular scene belongs to.  The 1975 scenes are in B&W, the 1999 scenes have a muted colour scheme, the 2010 scenes have a bright and colourful look.

The Production Design (Rajeevan) and Costume Design (Ameira Punvani) also are very well done.  Like Shaitan, David is also edited by Sreekar Prasad.  This is also very well done, since switching between multiple storylines thematically is not an easy thing.

Like Shaitan (remember “Bali – The Sound of Shaitan”, the remix of “Khoya Khoya Chand”?), David also uses music brilliantly.  I love the dramatic “Ghum Huye – The Theme of David”, which opens the film, the light “Maria Pitache”, Anirudh Ravichander’s “Yun Hi Re”, and the English track “Out of Control”.  Of course, as you’d have seen in the trailers, this movie also features a remix of an old song – “Mast Kalandar”.  There is a rock version with an aggressive electric guitar sound.

Overall, I really liked David.  Sure, there are some flaws, but I’d rather take an original piece of filmmaking like this any day, over a “lazy” blockbuster movie.  Many filmmakers would probably kill to have a second film as good as this.

Rating: 8/10

Additional Notes:

Tamil Version

  • David was simultaneously shot in Tamil, with actor Jiiva playing the guitarist David in the 1999 story.
  • The Tamil version features only two stories (the “Gangster” one is not featured, since apparently it didn’t suit the target audience).
  • As of today, the Tamil version has not been released in Hyderabad.  I had earlier tweeted wondering which version to watch first – I am glad I saw the Hindi version first, because I’d have missed the beautiful B&W segment and the “Mast Kalandar” song otherwise!  I still want to see the Tamil one.

Cinematography

  • If you observe the end credits of the movie, there are logos for both Kodak as well as Red.
  • As I read, the Goa sequences were shot digitally – and if IMDb is right, Rathnavelu used the Red Epic on that.  The other two sequences, I am assuming, were shot on 35mm film followed by a digital intermediate.
  • P S Vinod is the cinematographer for Panjaa – which I liked a lot.  I mentioned the cinematography in this post from a year ago.  I happened to see Panjaa on an IMAX screen – and it looked great!
  • Sanu Varghese is the cinematographer for Karthik Calling Karthik and also Kamal Haasan’s Vishwaroopam, which I am seeing today (the Telugu version is playing on the IMAX screen too, which is what I have booked tickets for).

Now about the drawings I did. I did four of them in all – one for each David character from the movie, and one of the director, Bejoy Nambiar as well.

These were all done digitally on my Samsung Galaxy Tab 2.  Previously, I used the Sketchbook Express app for doing some drawings (see this post and this post).  But a few days back I got another application called Sketch Guru, which has some nice “sketch”-type brushes.  I did all the drawings using that application, and with my fingers (since I don’t have a stylus that works with my Tab).

The drawings were then opened up in Snapseed to add some effects (grunge and the organic frames).

I put them together in Photoshop Elements and then added the text.  The movie’s title is in the font Sketch Block.  The other text is in the font Agency FB.  Agency is also the font actually used in the titles for David.

A few months back, I mentioned that font in this post of mine, with a drawing based on the fifth season premiere of Fringe.  The same font was used in the opening sequence of the show, and I used it in my drawing also.

Here you can see the individual drawings of the three Davids –

Vikram as David - Art by Karthik Abhiram Vinay Virmani as David - Art by Karthik Abhiram Neil Nitin Mukesh as David - Art by Karthik Abhiram

And this is the drawing of the movie’s writer-director Bejoy Nambiar –

Bejoy Nambiar, director of "David" - Drawing by Karthik Abhiram

I am eagerly looking forward to what the director does next!

Trailers and Music for the movie:

You can listen to the songs from the Hindi version of the movie here:

The theme from David:

Hindi Version Trailer:

Tamil Version Trailer:

Only God Forgives Drawing

Here’s my very first drawing of 2013 – just completed!  This is a picture of Ryan Gosling from the upcoming movie Only God Forgives, directed by Nicolas Winding Refn (who directed Drive and the Pusher trilogy).

Only God Forgives - Drawing by Karthik AbhiramThe drawing was done on my Samsung Galaxy Tab 2 with the Sketchbook Express app.  The image you see above was cropped in Photoshop and the text was added.  Otherwise no other editing was done to the actual drawing.

The drawing is based on the poster for the movie.  You can read more about it on the Wikipedia page.

Here is the first teaser for the movie, on YouTube –

It looks like it will be a violent action thriller – I am looking forward to seeing it!