David (2013 Hindi Version) – Review and Drawings

Ever since I saw the trailers for the Bejoy Nambiar movie David (a couple of months back), I have been eagerly waiting to watch the movie.  I really liked the director’s debut feature Shaitan, and from the looks of it, this movie seemed to be bigger and more ambitious.  I finally got to see the movie yesterday (at Cinemax, Banjara Hills) and thought it was very good, and that inspired me to do four drawings (all of them in this post).

David - Drawing by Karthik AbhiramFirst about the movie – David consists of three stories, each with the protagonist named David.  These are presented in an intercut fashion (as was done in Cloud Atlas), that come together by the end.  The first story is set in 1975 London, with Neil Nitin Mukesh as David, a gangster and an adopted son of Iqbal Ghani (Akash Khurana).  The second David is played by Vinay Virmani in a story set in 1999 Mumbai.  This David is a musician and lives with his Christian father Noel (Nasser) and his sisters.  Everything changes when a Hindu fundamentalist, Malti Tai (Rohini Hattandgadi) orchestrates an attack on Father Noel.  The lightest segment of the three is the one set in 2010 Goa, about drunken fisherman David (Vikram) who falls in love with a deaf-mute girl Roma (Isha Sharvani), who his friend is going to marry.

The acting by the leads and supporting characters in all three segments is very good, and the movie is well written.  It’s a little long though and the stories themselves I thought, were good but not anything extraordinary.  However, where David absolutely excels is in its storytelling – the way it is all put together.  In Shaitan, Bejoy Nambiar used stylish camerawork and music wonderfully – here he just takes everything one step further.

David is one gorgeous looking movie.  Three different cinematographers worked on the movie – “Gangster” is shot by Sanu Varghese, “Mumbai” is shot by P S Vinod, and “Goa” is shot by R Rathnavelu.  The work by all three (and their respective crews) is absolutely stellar – featuring beautifully composed visuals and wonderful lighting.  The colour palette is different for each sequence, so you always know which story any particular scene belongs to.  The 1975 scenes are in B&W, the 1999 scenes have a muted colour scheme, the 2010 scenes have a bright and colourful look.

The Production Design (Rajeevan) and Costume Design (Ameira Punvani) also are very well done.  Like Shaitan, David is also edited by Sreekar Prasad.  This is also very well done, since switching between multiple storylines thematically is not an easy thing.

Like Shaitan (remember “Bali – The Sound of Shaitan”, the remix of “Khoya Khoya Chand”?), David also uses music brilliantly.  I love the dramatic “Ghum Huye – The Theme of David”, which opens the film, the light “Maria Pitache”, Anirudh Ravichander’s “Yun Hi Re”, and the English track “Out of Control”.  Of course, as you’d have seen in the trailers, this movie also features a remix of an old song – “Mast Kalandar”.  There is a rock version with an aggressive electric guitar sound.

Overall, I really liked David.  Sure, there are some flaws, but I’d rather take an original piece of filmmaking like this any day, over a “lazy” blockbuster movie.  Many filmmakers would probably kill to have a second film as good as this.

Rating: 8/10

Additional Notes:

Tamil Version

  • David was simultaneously shot in Tamil, with actor Jiiva playing the guitarist David in the 1999 story.
  • The Tamil version features only two stories (the “Gangster” one is not featured, since apparently it didn’t suit the target audience).
  • As of today, the Tamil version has not been released in Hyderabad.  I had earlier tweeted wondering which version to watch first – I am glad I saw the Hindi version first, because I’d have missed the beautiful B&W segment and the “Mast Kalandar” song otherwise!  I still want to see the Tamil one.

Cinematography

  • If you observe the end credits of the movie, there are logos for both Kodak as well as Red.
  • As I read, the Goa sequences were shot digitally – and if IMDb is right, Rathnavelu used the Red Epic on that.  The other two sequences, I am assuming, were shot on 35mm film followed by a digital intermediate.
  • P S Vinod is the cinematographer for Panjaa – which I liked a lot.  I mentioned the cinematography in this post from a year ago.  I happened to see Panjaa on an IMAX screen – and it looked great!
  • Sanu Varghese is the cinematographer for Karthik Calling Karthik and also Kamal Haasan’s Vishwaroopam, which I am seeing today (the Telugu version is playing on the IMAX screen too, which is what I have booked tickets for).

Now about the drawings I did. I did four of them in all – one for each David character from the movie, and one of the director, Bejoy Nambiar as well.

These were all done digitally on my Samsung Galaxy Tab 2.  Previously, I used the Sketchbook Express app for doing some drawings (see this post and this post).  But a few days back I got another application called Sketch Guru, which has some nice “sketch”-type brushes.  I did all the drawings using that application, and with my fingers (since I don’t have a stylus that works with my Tab).

The drawings were then opened up in Snapseed to add some effects (grunge and the organic frames).

I put them together in Photoshop Elements and then added the text.  The movie’s title is in the font Sketch Block.  The other text is in the font Agency FB.  Agency is also the font actually used in the titles for David.

A few months back, I mentioned that font in this post of mine, with a drawing based on the fifth season premiere of Fringe.  The same font was used in the opening sequence of the show, and I used it in my drawing also.

Here you can see the individual drawings of the three Davids -

Vikram as David - Art by Karthik Abhiram Vinay Virmani as David - Art by Karthik Abhiram Neil Nitin Mukesh as David - Art by Karthik Abhiram

And this is the drawing of the movie’s writer-director Bejoy Nambiar -

Bejoy Nambiar, director of "David" - Drawing by Karthik Abhiram

I am eagerly looking forward to what the director does next!

Trailers and Music for the movie:

You can listen to the songs from the Hindi version of the movie here:

The theme from David:

Hindi Version Trailer:

Tamil Version Trailer:

Only God Forgives Drawing

Here’s my very first drawing of 2013 – just completed!  This is a picture of Ryan Gosling from the upcoming movie Only God Forgives, directed by Nicolas Winding Refn (who directed Drive and the Pusher trilogy).

Only God Forgives - Drawing by Karthik AbhiramThe drawing was done on my Samsung Galaxy Tab 2 with the Sketchbook Express app.  The image you see above was cropped in Photoshop and the text was added.  Otherwise no other editing was done to the actual drawing.

The drawing is based on the poster for the movie.  You can read more about it on the Wikipedia page.

Here is the first teaser for the movie, on YouTube -

It looks like it will be a violent action thriller – I am looking forward to seeing it!

Samsung Galaxy Tab 2 Drawings – Sandman, Ma-Ma from Dredd, The Collection

This being the first post of 2013, here’s wishing everyone a very Happy New Year!  (I started writing this post last month, so it’s not designed as a New Year post.)

In the beginning of November, I bought myself a Samsung Galaxy Tab 2.  Now, this was an impulse purchase, I didn’t really need a tablet but I got one anyway, and am very happy with it.  This is the first Android device that I bought, and I really like the OS (it came with Ice Cream Sandwich, and I recently got an upgrade that pushed it to 4.1 Jellybean).  I’m using it for reading comics (in CBR or CBZ files), watching videos and taking photos with Instagram.  Another application that I got for it, was Autodesk Sketchbook Express.  It’s a great drawing app, and I have done three drawings so far with it.  It takes a little getting used to (I’m not quite comfortable with it yet), and so far I’ve only been drawing using fingers (no stylus – I tried some pens turned backwards but they didn’t work).

This is the first drawing – a picture of Morpheus or Dream, from Neil Gaiman’s The Sandman series (done without reference – I was actually waiting idle after a conference and drew this) -

The Sandman - Art by Karthik AbhiramThis is the second one, a drawing of Lena Headey as “Madeline Madrigal” a.k.a. “Ma-Ma” from the kickass movie Dredd -

Ma-Ma from Dredd - Drawing by Karthik AbhiramThat movie was one of the most entertaining yet underrated movies of the year in my opinion and Ma-Ma was a great movie villain.  While doing this one I filmed some video footage, so I’ve posted that as a short clip on YouTube -

The third drawing is based on the Marcus Dunstan-directed movie The Collection.  This also was a very entertaining (and quite violent!) horror/action movie, and I was pleasantly surprised that they released it theatrically in India!

The Collection - Art by Karthik AbhiramWhile the earlier two drawings are straight from the tablet (I’ve posted the PNG files that I copied off the device), this one was edited in Photoshop to darken it a little and add the text.

I posted this one on Facebook and sent a tweet to the director of the movie about it, and was pleasantly surprised that he replied to me!

I still prefer pen or pencil and paper for drawing (you don’t have undo or customisable brushes, but that is easier to control and doesn’t require charging!), but this is also interesting to use.  I will post more drawings as I do them.

T is for Turbo Drawing

Recently, a trailer for The ABCs of Death was released, and it looks great.  Related to that is a drawing of mine that I wanted to post.  Keep in mind, that this is a year old, but I never wrote in detail about it, so I’m posting it now.  Explanation will follow.

The ABCs of Death

The ABCs of Death is an interesting project – this is an anthology horror movie consisting of 26 segments (each around 4 minutes long), one per letter of the alphabet.  Each segment is about an instrument of death starting with that respective letter of the alphabet (say, “K is for Knife”).  26 different directors worked on this movie!  More details can be found on the Wikipedia Page or this page on JoBlo, where you can view the trailer.  Warning: Contains Blood & Gore, not for kids!

The people behind this anthology project left one slot free, for which they invited submissions from filmmakers from all around the world.  This was the slot for the letter “T” and there were more than 100 shorts that they received (you can view them at this site).  Out of all these films, “T is for Toilet” by Lee Hardcastle was selected to be in the final film.

T is for Turbo a.k.a. Turbo Kid – The Film

One of the top 3 finalists among the submitted entries was “T is for Turbo” by team RKSS (Roadkill Superstar – consisting of members Francois Simard, Anouk Whissell, Yoann-Karl Whissell).  I absolutely LOVED this short film, and in fact I felt that this would be the winning entry that’d make it into the final The ABCs of Death film.

Here, you can watch the short film (contains violence, blood & gore, not for kids!) -

I loved this film since it so very closely matched the look and feel of the 1970s/80s post-apocalyptic movie!  Specifically, I think they were referencing the loads of cheap Italian-made knock offs that came out after bigger-budgeted movies like Mad Max.  The costumes, the make-up/gore effects, the cheesy dialogues, all make for a wonderfully nostalgic experience.

The filmmakers have come up with interesting characters also (the villain Zeus, Shandella, Beardman, the Skeleton mask guy, etc).  The Turbo Kid himself reminds me of an older version of Commander Keen.

I liked the cinematography in the film (by Jean-Philippe Bernier).  The film was shot on a Canon 5D Mark II DSLR, but using an anamorphic adapter.  The camera shoots video in 1920 x 1080 resolution, which results in an aspect ratio of 16:9 or 1.78:1.  However, a lot of productions use a wider aspect ratio like 2.35:1, which gives a more cinematic look (since that is the ratio many films are presented in theatrically).  One way to achieve this would be to film in 16:9 and then crop off bits from the top and bottom.  This means that we’re not effectively using all the information that the camera has captured (the resulting image dimensions might be 1920 x 800).  An anamorphic adapter optically distorts the image horizontally, so it squishes a wider image into the 16:9 frame.  Later on, the image can be un-squished in post-production, so what this achieves is an image width of roughly 2500 pixels and a height of 1080.

I believe this is the source of the slight blur/distortions at the edges of the frames, which for some reason I find aesthetically very good looking, and it goes even further to enhance the feel of an old movie.

The submissions for The ABCs of Death were supposed to be kept to 4 minutes in length.  The longer (by few minutes) ‘director’s cut’ version of this film is called Turbo Kid.  I don’t think that version is online anywhere – I suppose you have to attend a film festival where it is screened, to be able to see it.

T is for Turbo – My Drawing

As is the case with things that I am deeply inspired by, I made a drawing based on this film.  I did this based on screenshots grabbed from the actual film, and the shot of the Turbo Kid was referenced from a behind-the-scenes still.

The drawing was done with pencil on an A5 size paper.  I scanned it and added the paper texture in the background and the subtle colours in Photoshop.  The fonts used are Helvetica for the credits, and the title of the film is in a font called Headline HPLHS (this font is designed to mimic the look of old woodcut headlines – I got it from the HP Lovecraft Historical Society site).  Perhaps not the most appropriate for a retro-futuristic film like this, but I think it looks good.  Cthulhu fhtagn!

Want to see a few in-progress / behind-the-scenes photos as I was making this poster?  Here is an album on Facebook which you can check out: T is for Turbo Drawing – Behind the Scenes [9 photos].

By the way, I posted this drawing on the RKSS Facebook page and even sent a message to them.  They liked it – and that made me really happy.

The Music – “58 minutes pour vivre” by Le Matos

Apart from everything else I loved about T is for Turbo, a standout aspect for me was the music in it.  It’s simply brilliant – the synthesizer-type music is exactly what you might find in a 1980s movie.

The track is called “58 minutes pour vivre” (translates to “58 minutes to live”) by the band Le Matos.  A little bit of trivia – “58 Minutes” by Walter Wager is the novel that Die Hard 2 was adapted from.

Here is a music video for the track, also edited by RKSS.  This video is called “58 Minutes dans le wasteland” which is very apt, as it is entirely edited together using footage from the very films that inspired Turbo Kid.

A full list of films featured in the video is there in the video description (if you view it on the Vimeo page).  Should be a nice list to pick movies from and watch.  And during the song, there is a bit of dialogue that comes up – that’s the voice of Bruce Willis and that’s a sample of dialogue from 12 Monkeys.

If you want to purchase the track, you can do so here (I did – I legally bought “58 minutes pour vivre”).

On a related note – you can also watch the grindhouse-inspired pulp horror fake trailer Demonitron: The Sixth Dimension by RKSS (it’s very good, and the look is again spot-on, though in some bits where they intentionally tried to emulate “unintentionally funny” – especially the ‘demon cake’ bit – I felt they went a little overboard, which kind of detracted from the experience).  The music used in that trailer is called “Sarah” also by Le Matos.  you can listen to the track and buy it here.

Other Notes

If you are on Facebook, you can view the “Making of T is for Turbo” album here (photos shot by Marie Raymond).  In that album, this photo is the one I used as the reference for the Turbo Kid in my drawing.  I think you have to “Like” the RKSS page to be able to see these photos.

There is an album with posters of their short movies.  In that one, you can see the digitally-created official poster for the film.  I love the look of the poster – I can almost imagine seeing this artwork on a VHS videotape and renting it immediately (back in the days when we used to rent videotapes).  I love the caption – “This is the future, this is the year 1997″.  Since Turbo Kid is inspired by those science fiction films made in the 70s and 80s, it makes sense that 1997 would be ‘the future’.  (For that matter, even John Carpenter’s classic Escape from New York, released in 1981, was set in ‘the future’ of 1997.)

The latest update about Turbo Kid is that it is going to be adapted into a full-length feature film!  This article has info about that.  Count me in as a fan!  I’m sure it’ll be a unique, quirky film that I will love.  I look forward to seeing it, reviewing it and drawing something based on it, in the future… in the year 1997.  “So what the fuck is your super power?”

Browsing Through Time – The Last Few Months

As I’d mentioned in an earlier post, I thought I would do a quick recap of what I’ve been up to, in the last few months.  This is presented roughly in reverse chronological order, and I’ve used photos to illustrate what I am talking about.  (NOTE: I wrote this post in the mid of October, so it doesn’t cover absolutely everything right up to the present time.)

150+ Days at the Gym

Looks good, no?  I’m quite proud of that photo!  I started going to the gym at office in mid-December 2011.  For whatever reason, I kept count of the number of days I was actually working out, and that count has crossed 150 by now.  I go to the gym on Monday, Tuesday, Wednesday and Friday (since on Thursdays I attend Guitar class), so typically the count gets incremented by 4 every week, less than that if there are office holidays or I am travelling.

You could say this is a new hobby of mine and just like posting my drawings or photos, I’m uploading pictures taken at the gym to mark milestones.  I posted the below one to mark Day 100, and that got a lot of Likes and comments on Facebook.

I was going to post one more when I hit Day 150, but towards that date, I knew there were going to be a few breaks since I was travelling for campus recruitment.  Therefore, I posted the below photo when I reached Day 146.

I’d have left it at that but the Day 148 picture just kind of happened… and it looked good so that’s my current Facebook and Twitter profile picture.

On a related note, here is a very useful link with a workout that you can do even if you don’t have access to a Gym: Beginner Body Weight Workout from Nerd Fitness.

Covering events at office

Over the last few months I seem to have become an ‘unofficial official’ photographer for several events at work.  It’s been a great experience for me and a lot of fun.

As you can make out from the tweets, I shot more than 1300 images during the four hour event, and made a selection of around 250 images to show to others.  However, out of that set, I further filtered images and only uploaded the 180 best ones to Facebook.

At one of the events, apart from being the photographer, I also played a small bit of music on guitar.

I later recorded a video of what I played that day.  Here it is -

This was recorded at home with my Nokia 808 PureView phone, and as you can make out, the audio quality is really great!  I edited the video on kdenlive and Windows Live Movie Maker.  The old videotape-type font is called “Camcorder” and you can get it here.

Pecha Kucha Night Hyderabad

I attended Pecha Kucha Night Hyderabad Volumes 8, 9 and 10 in the recent past.  I took photos at each one of them.  I believe I may have put links to a couple of the albums in earlier posts, but for easy reference, here are the links (all are albums on Facebook) -

Two of the photos I took at PKN Hyd Vol 9 got printed in The Hans India newspaper.

(Both photos in that article are mine – you can see them on the Facebook album.)

Speaking of this, earlier (in May 2012), my Pecha Kucha presentation from November 2011 got mentioned on the Pecha Kucha Daily blog.  My presentation is also there on the global site.

Blue Moon and Hard Disk

I took a photo of the Blue Moon from 1-Sep-12 – this is probably my best Moon shot yet.

At around that time, I also welcomed a new 1 TB hard disk to the family -

Mumbai Trip

In the beginning of August, I went on a short trip during a long weekend to Mumbai.  I stayed at my cousin’s place, visited TCS Gateway Park office, met my friend Rajith there, watched Gangs of Wasseypur II, and participated in the TCS Fit4Life – 5 km Run with the CEO.

Here are the two Facebook albums that show photos from this all-important trip -

Two notable pictures – the below one shows me, Girish and Vrushodh – the crew behind the Gods of Galactica podcast (earlier known as Galacticast)…

…and here is a photo from the 5 km Run.  This was the second 5 km Run I’ve ever participated in.

Secret Lake Photo

From earlier in August, here is a photo of Durgam Cheruvu, the “Secret Lake”.  This was shot from Inorbit Mall one afternoon when I went there for lunch, on my PureView phone.

My post mentioned by Nokia

After I wrote that long post about the Nokia 808 PureView, I tweeted it to the official Nokia account (@nokia).  It was really nice of them to retweet it – and they mentioned they liked the post.  I felt very happy about that.

Han Shot First Drawing

I did the below drawing as a gift for my cousin on his birthday.  I also got it printed on a t-shirt (that’s what Girish and I are wearing, in the Galactica crew photo above).

Star Wars fans will know the background of this.  For the uninitiated, here’s the explanation in short.  In the original Star Wars movie released in 1977, there is a scene in which the character Han Solo played by Harrison Ford, is confronted by the gangster Greedo in the Mos Eisley cantina.  Greedo points a weapon at Han and says that Han owes money to the ruthless Jabba the Hutt.  Han then shoots Greedo and exits the cantina.

In the 1997 “Special Edition” re-release of Star Wars, this scene was slightly altered, to show Greedo shooting first and missing Han (at very close range), and Han shoots Greedo after that.  This alteration (though made by the movie’s creator, George Lucas) was not looked at favourably by fans.

My cousin has a long post on this here.  This is why I made this t-shirt for him!

On the topic of the alterations made for the Special Edition of Star Wars, it is to be noted that a fan called Harmy has created high-definition “despecialized” versions of all the movies in the Star Wars original trilogy.  This is an assembled edit from various sources, since LucasFilm had not released the unaltered versions on Bluray.

More details at the below links -

Blue Sky at Hyderabad

Early in the month of June, there were a couple of days when the sky was a wonderful blue colour.  A great opportunity for photography -

Here is the Facebook album with some more photos – Blue Sky.

Electric Guitar

For my birthday on May 15, I was lucky to get a great gift from my family – an electric guitar!  I uploaded some photos of it on this Facebook album, and posted a short video of me playing it.

Rooftop Shooting Challenge

I had earlier written about a photo shooting challenge I’d done, of taking only B&W photos in my room at home.  I tried a different challenge sometime later, of shooting with just one lens on the rooftop of my house.

Here is the link to the album on Facebook: Rooftop Shooting Challenge.

I believe I have covered most of the important events from the recent past in this post!  More to come later.

Evil Dead 2013 Drawing

I have been a fan of Sam Raimi’s Evil Dead series of movies for many years now.  The three movies – The Evil Dead, Evil Dead II and Army of Darkness – are critically acclaimed as well, and one might even say that they have achieved cult classic status.  Over the last several years, there has been talk of another Evil Dead movie – either a Part 4, or a remake.  None of that actually materialised however… till now.

Of late, a remake of the first movie has been announced, being directed by Fede Alvarez with Diablo Cody contributing to the screenplay.  I had only a passing interest in it, but the first red-band trailer (trailer intended for adult audiences) for the movie made me sit up and pay attention.  It was so bloody and gory that it screamed to be noticed – and that inspired the below drawing -

The new movie seems to follow the broad template of The Evil Dead – a group of young people discover the Book of the Dead in a cabin in the woods, and on reciting passages from that book, evil spirits possess their bodies and mayhem ensues.  The remake seems to be very serious in tone, though.  They’ve also dropped the “the” in the title, this new one is simply called Evil Dead.

Here, see the notorious trailer for yourself (warning: lots of blood and gruesome stuff) -

This trailer was originally screened at the New York Comic Con, and it found its way online in a bootleg version (someone recorded it off the screen and posted it), which is what I first saw.  The studio posted the official version a few days later.

For making the drawing, I followed my usual process – I took several screenshots from the trailer and used them as reference.  The drawing was done using primarily a black ballpoint pen, but a black marker was also used for solid black areas, and all the blood was done with a red gel pen.  A slight touch of blue ballpoint pen is also seen – on the guy with the chainsaw.

After completing the drawing, I scanned it in and then adjusted the contrast in Photoshop Elements.  I also overlaid two paper textures (bashcorpo’s texture 5 and 6 – these two are favourites of mine and I’ve used them very often), and then added the logo and the text.

The logo is actually sourced from a screenshot from the trailer.  I boosted the contrast and then inverted the image, leaving a nice solid black title.  The font used for the rest of the text is Univers – a typeface from the 1950s/60s, which I believe adds to the ‘old’ look of the poster.

I came up with the caption.  The first part “Within the woods…” is a reference to Within the Woods, a 30-minute film that was a precursor to The Evil Dead.  The rest of it is taken from the trailer (the trailer says “Evil Lives Again”).

I am eagerly waiting to see the movie!  IMDb says the movie’s release date is 12 April 2013 in the US, and the Worldwide Release Dates page from the official site says that it’s going to be released in India on 26 April 2013.

Wake Me Up When September Ends

It’s been a while since I wrote a post on this site, and it’s also been a while since I published a drawing.  So I thought I would put up my latest work – one drawing and one photo here.  I will write another post as a recap of things that have happened over the last few months.

I watched the Season 5 premiere of Fringe and liked it very much.  So, as you’d expect, I drew something based on it -

Season 5 Episode 1 “Transilience Thought Unifier Model-11″ was set in 2036 (like the Season 4 episode “Letters of Transit”), and depicted a dystopian future where the Observers have taken over the planet.  Over the next 12 episodes of this season, we will see the Fringe team save the world (and possibly the universe). I loved this episode for it’s writing and handling of characters (my cousin’s review is here, but be aware that it has spoilers).

I loved the blue-tinted (sometimes almost monochrome-looking) cinematography in this episode (by David Geddes). On that note, IMDb mentions that Season 4 (and presumably, this present season) of the show is shot digitally, using the Arri Alexa camera and Panavision Primo lenses.  This is as opposed to the previous seasons which were shot on 35mm film.  This camera was also used to shoot the movie Chronicle, Nicolas Winding Refn’s Drive, and the Sherlock TV show.

The Observers led by what seems to be the new villain on the show, Captain Widmark made for sinister characters.  So I drew them – this was done in ballpoint pen (black and blue) and markers (black and red).  I added a paper texture for style and the font used is Agency FB (mimicking the new 2036 Fringe opening sequence).  You can click on the image to see an even bigger version.

The red background was added to maintain consistency with my other two Fringe-based drawings (both from 2010).

This is my drawing of Anna Torv as Agent Olivia Dunham -

and this one is a drawing of John Noble as “Walternate” -

I am not sure how much the 2036 storyline in Season 5 will make reference to the fictional Massive Dynamic corporation, so I didn’t include that bit of text in my Observers drawing.

I feel a little sad that Season 5 will be the last of this great TV show.  But it’s probably for the better, since this would mean that the series would go out on a high note.

The title of this post is a reference to the Green Day song, yes, since it’s being written on the last day of September, but it’s also a reference to the Observer called September (played by Michael Cerveris) who helps the Fringe team.

One more recent work of mine is this photo -

This is a shot of Visakhapatnam, the City of Destiny.  I took this photo with my Nokia 808 PureView phone, on my recent trip to Vizag for Campus Recruitment.  My colleagues and I visited a place called Kailashgiri, where you can go up a hill on a rope way.  From high above, you have a really nice view of the city.  As I’d mentioned earlier, the PureView is really nice for taking pictures like this, because the high resolution allows you to show off a lot of detail.  You can see the full-resolution (7728 x 4354 pixel) processed shot here. You’ll have to download the file from that page (almost 10 MB in size), and you can zoom in and see small details (like for example, near the bottom left corner, you can read the text “VUDA MARINE DRIVE” on the arch on the road).

I have uploaded an album on Facebook with more pictures from the trip – Vizag Trip – 24-26-Sep-12 (40 images).  All of these were taken with the PureView phone.  I didn’t have my Canon EOS 550D with me on this trip, since I travelled to Vizag from Chennai, and couldn’t carry too much stuff.  The PureView camera served me pretty well I must say!

Nokia 808 PureView – My Impressions So Far

NOTE: This is going to be a long post, but written from the point of view of someone who is passionate about photography and therefore really appreciates the technology that Nokia has put into this device.

Nokia’s new flagship phone, the 808 PureView, was announced on 27-Feb-12 (I wrote about it in this post).  After reading about it, I immediately knew that if I was ever to upgrade my existing phone (a Nokia N8), the 808 would be the one I would get.

My phone choices have been dictated to a huge extent by the kind of camera in the device.  In 2006 I got a Sony Ericsson w300i, followed in 2007 by a w700i, post that, a Nokia N82 (which had the whopping 5 megapixel camera), and in 2010, the Nokia N8 (which, with its 12 megapixel camera, had the best camera on a mobile device).

The N8 now has the second-best mobile device camera on the planet.  This is because, the Nokia 808 PureView has a 41 megapixel sensor.  Over the last few months, I’ve been reading everything I can about the camera and the technology behind it, and I decided that I was going to buy it as soon as I could.  Fortunately, India is one of the countries to get this phone early, so I managed to get my hands on the device on 21-Jun-12.

The retail price of the phone is Rs 33,899, but I ordered it on Flipkart and got it for Rs 32,499.  Plus, they even threw in a cover for the phone worth Rs 1,000.

You can see more pictures of me opening up the package I got from Flipkart on this Facebook album: Unboxing the Nokia 808 PureView (19 photos).  This is like a little kid opening up a Christmas present.

I have been talking about this phone to my friends for the past couple of months now, so quite a few people knew that I was crazy about this device, and people told me that I probably was one of the first people to order this from Hyderabad.  And I know of at least one person who actually bought this phone because of me.

Now you might ask the following questions (and people have asked me this) -

  • Why would anyone need a 41 megapixel camera on a phone?
  • Why would I want this, considering I already have a Canon EOS 550D DSLR camera?

My answers to that -

  • You don’t NEED a 41 megapixel camera, but that doesn’t mean it’s not nice to have.  Recently, I saw Ren Ng’s TED talk about the Lytro Light Field camera, in which he says that the Lytro opens up new creative possibilities.  In the same way, the Nokia 808 allows one to take different types of pictures that wouldn’t be otherwise possible.  You can use it as a normal camera and produce 5 or 8 megapixel images with it.  But you can also use it to produce large-resolution images with lots of detail, and when done right, those images would be unique and can’t be produced with any other camera in its class.
  • Who says you can’t own and use more than one camera?  The DSLR along with the lenses I have can produce beautiful images, and yes, the images are superior to what the Nokia 808 PureView produces.  But a big advantage of the PureView is that I have it with me practically all the time – including situations where I wouldn’t be able to take along my DSLR.

Here are my impressions on this device so far.

Right now, I am not using the 808 PureView as a phone, more as a camera & recording device, and a device to carry around photos, music and videos.  I am using my Nokia N8 as the phone still.

As you can make out from the above picture, the 808 PureView is larger in size than the N8 and feels heavier too.  This phone has a Micro SIM slot, so I have to get my SIM card cut down to size if I have to use it with this.  I haven’t yet done that.

The AMOLED screen on the 808 PureView is bigger than the one on the N8, but it has the same number of pixels (360 x 640 resolution), as a result of which the N8′s display actually feels sharper to me.

Due to the higher memory and better processor, the 808 PureView feels smoother in operation than my N8.

The phone come with a higher version of the Belle OS than the N8.  People told me that if I was investing in a phone, an Apple / Android / Windows phone is better in terms of the applications.  But that was not really my concern, since I was interested in this device only for the camera.  I seem to have bought a camera that also in its spare time, makes calls!

Now that the other stuff about the phone is out of the way, let’s talk about the things that I am actually using this phone for.  Firstly, the camera.

PureView Technology

To really understand what’s special about the camera on this smartphone, here’s a small primer on photography and what Nokia is calling their PureView technology.

A camera is a box that is completely dark inside.  At one end of this box is a shutter – which is something like a curtain.  In order to take a photo, the curtain opens for a brief instant of time, admitting light inside the camera.  This light is focused by a lens, and it hits a light-sensitive surface (film if one is using a traditional film camera, or a digital sensor, if one is using a digital camera).  And this is how a photo is produced.

Nokia put a huge sensor into the 808 PureView.  This sensor is the biggest ever in a mobile phone, and is actually bigger than the sensors found on many compact digital cameras.  A comparison is given below -

  • 35mm Full Frame Camera (Canon EOS 5D Mark II) – 36 mm x 24 mm
  • Nikon APS-C Crop Camera (my brother’s Nikon D90) – 23.6 mm x 15.6 mm
  • Canon APS-C Crop Camera (my Canon EOS 550D) – 22.2 mm x 14.8 mm
  • Nokia 808 PureView – 10.7 mm x 8 mm (1/1.2″ sensor)
  • Nokia N8 – 7.2 mm x 5.3 mm (1/1.8″ sensor)
  • Compact Camera 1/2.3″ sensor (Nikon Coolpix P510) – 6 mm x 4.5 mm
  • iPhone 4S – 4.5 mm x 3.4 mm

You can see more details on this Wikipedia page – Image Sensor Format.

So Nokia’s engineers have put in a big sensor that’s capable of capturing 41 million pixels of data.  This information is used to produce images of different dimensions.  One can shoot in “full resolution” (which equates to a 34 megapixel image if you’re shooting in 16:9 aspect ratio, or 38 megapixel if in 4:3), or in “PureView” mode.  PureView mode produces images of 8, 5 or 2 megapixels – but in order to generate these images, the phone actually crunches all the data that the sensor captures, which means that the smaller dimension images are actually very detailed and noise-free, and in this mode, you have 2 or 3x lossless zoom.  This is what they call “oversampling”.  Video quality is also great, because this oversampling is used in video also.

Nokia is going to put in PureView technology in their upcoming phones too.

The lens on this camera is an f2.4 lens, as compared to f2.8 on the N8.  This means that the lens can open wider (smaller f number = larger opening), and therefore let in more light into the camera.

So what can you do with the camera?

You can use this camera as you would an 8 megapixel compact camera.  It’ll produce very nice images, and works well in low light thanks to the lens and the PureView oversampling.  But you can also put it in the full resolution 34 or 38 megapixel mode, and shoot images with lots and lots of details.

This gets you thinking differently.  It’s like having a wide angle prime lens attached to a huge-resolution camera.  In this full resolution mode, I like setting it to take 16:9 images as I find the wide aspect ratio interesting.

Enough talk, let’s see some sample images – below is one of the early images I took with this camera.  This is Cyber Towers at Hitech City, Hyderabad.

Click the above image to see a larger version.  Of course, that is about 2000 pixels wide and not the actual 7728 pixel wide version that came straight from the camera.

Below are some sections (100% size crops) extracted from the full image – where you can make out text on signs, license plate numbers, you can see faces of the people in the crowd, and two people standing on the roof of the building.  You cannot get images like this with any other mobile phone on the planet!

With a little editing, below is the final image.  I boosted the contrast and colours in Photoshop Elements.  The lens produces a very pronounced pincushion distortion when you shoot it at the wide aspect ratio (I think the distortion would be reduced if shot in 4:3 ratio, I have not tried this much so can’t tell exactly), so I got rid of that too.

I have uploaded the full size image at deviantART here – Cyber Towers at Dusk by ~karthik82 on deviantART.  You can download the 7728 x 4354 pixel image from there (it’s big in terms of file size – approximately 7 MB) and see all the little details for yourself.

One more bit of trivia about the image above – the text I put in is in the typeface Nokia Pure – which is Nokia’s new font that they’re using for all their branding (their earlier font was called Nokia Sans).  This is the font used on the packaging of their phones and also on their websites.  You can read about it here and even download the font file from this page.

One more picture which I shot with this camera, this is a tall one as opposed to a wide image -

As you can see, I am illuminated and enlightened by the light!  This was taken at Prasad’s Multiplex when I went to see the night show of Anurag Kashyap’s Gangs of Wasseypur.

This is another image I took with the camera, that I am proud of -

This was taken on a rainy night, and shows off the low light capabilities of the camera.  This is also an edited image, but even the image straight from the camera looked great.  This one, I shot in the 8 megapixel PureView mode.

On 23-Jun-12, pretty soon after I got this camera, I went on a Photo Walk.  I had carried along my Canon EOS 550D, but decided that I’d take all my photos that day with the PureView camera only!

Here is the full album of photos on Facebook: Photo Walk by Karthik and Vikram Jammula (21 photos).  Apart from resizing and a little auto-contrast boosting, no other editing is done to the images in that album.

Recently, I attended Pecha Kucha Night Hyderabad Volume 9.  As it has been for the past 4 volumes, I was the ‘unofficial’ photographer at that event.  This time though, I took photos using both by Canon EOS 550D as well as the Nokia 808 PureView.  (To understand what this event is all about, you can read my detailed post here.)

Here is the full album of photos on Facebook: Pecha Kucha Night Hyderabad Vol 9 (78 photos).  The last 20 photos in this album (beginning from this one) were taken with the 808 PureView.

In retrospect, these images aren’t probably the best that the 808 can produce.  I took all of those in the 34 megapixel mode, at ISO 1600 (since it was a very low light environment).  I should have taken them in the 8 megapixel mode, where PureView oversampling would have kicked in and made the images cleaner (I’d still say these images are pretty decent, since many cameras don’t even go up to ISO 1600).  Well, it’s a learning for next time.

Okay, one more image before we wrap up talking about the camera.  I don’t think you can take a picture like this on any other mobile phone camera on the planet -

This is blasphemy… this is madness!  Madness?  This… is… PUREVIEW!

Let me explain a little about how I took this shot.  Earlier, I had taken a photo of the Supermoon.  That experience taught me that when taking a shot like this, you actually have to cut the amount of light entering the camera, since if you keep it in the auto mode, all you’ll get is a white circle.  I also knew that I’d have to zoom as much as possible.

So, I put the camera in the PureView 2 megapixel mode (so I could zoom), set it at ISO 100 (so that the image would have less noise) and zoomed in all the way.  I reduced the exposure as much as the camera would allow (I think I’d put it at -4.0), to cut the light so I don’t lose shadow detail.

I set the focusing mode on the camera to either hyperfocal or infinity (now I don’t remember which one), and then took a bunch of shots.  I selected the one that was the best out of the lot, then cropped the image and darkened it further in Photoshop Elements.  Added text in the elegant Nokia Pure font, and there you have it.

If you want to see the image straight from the camera, it’s below -

Some more tips on using the camera on the 808 PureView

The user interface on the 808 PureView’s camera, I think, is really nice.  It’s very intuitive.  There are three modes in which you can use the camera.

  • Automatic – Camera decides all the shooting settings, provides you with no options at all, excepting the shutter button and an option to turn on / off the flash.  Very simple to use.
  • Scenes – You just decide the scene mode – landscape, portrait, low light, sports, etc, and the camera will decide the settings suitable to that scenario.
  • Creative – Here’s where you can select all the shooting options.  Automatic and Scenes both shoot only in the lower resolution PureView mode.  In Creative, you can select whether you want to use PureView or shoot in full resolution, you can select the aspect ratio (16:9 or 4:3), adjust contrast, saturation, sharpness.

One thing I’d advise you to do is, go into the Creative menu, scroll down all the way and click on Preferences.  There, you can turn on the Viewfinder Grid and enable Video Stabilisation.

The Viewfinder Grid is very useful as it will enable you to apply the Rule of Thirds while shooting stills and recording video.  Also, in the video mode, it provides you with guides to compose your image for a 2.39:1 aspect ratio (crop marks), so if you are going to crop your video later on to a Cinemascope-type widescreen format, you can be sure that you are not placing anything of interest in an area that’ll be cropped off later.

While taking a picture in Creative Mode, the icons on the left allow you to choose the following options (in order) -

  • Flash On/Off
  • Exposure – To brighten / darken the image.  Default is set at 0.0, you can go to -4.0 at one extreme and to +4.0 at the other extreme.  This is what I was talking about in the Moon photo example.
  • White Balance – Sunny, Cloudy, etc options.
  • ISO – This camera goes from ISO 50 all the way to ISO 1600.  And it has relatively less noise even at ISO 1600 for a camera in its class.
  • ND Filter – The camera (like the N8) has a neutral density filter which can cut light (for example, if you’re shooting directly into the sun, you’d obviously need to have it on, else you’ll get a fully white image).  You can set it on, turn it off or leave it in automatic mode for the camera to decide.

There’s another parameter you can set which you might not readily be aware of, since it’s not accessed by any of the above-visible options – Focusing mode.  You access this by long-pressing on the screen (touch and hold for a second or two till the menu pops up).

There are four options here and here’s what they mean -

  • Automatic – The normal mode of operation – you touch on an object to focus on it.
  • Close-up – Similar to the previous one except this allows you to focus closer.
  • Infinity – Set the camera to focus at the farthest distance.  This way, when you press the shutter button the camera won’t spend time trying to focus on anything.
  • Hyperfocal – Focuses the camera at the hyperfocal distance – essentially meaning you get the maximum depth of field possible (one explanation is here).  This means that excepting for objects that are very close to the camera, everything will be sharply in focus.  The “Sports” scene mode uses Hyperfocal focusing.

Again, referring to the Moon shot, I used either Infinity or Hyperfocal focusing (I don’t remember which), since when I kept the camera in Automatic focusing mode, it had trouble focusing sharply on the moon.

Video and Audio

The 808 PureView can shoot full HD video in 1080p.  You can zoom when recording video too, and the quality is amazing, much better than what you’d find in any other camera phone.  The video camera also has Automatic, Scenes and Creative options (just like in stills).  If you put the camera in 360p resolution, you can really zoom in a lot (enough for filming the moon)!

When you’re filming video, the audio quality in your clips is really, really good.  Nokia has put in something called Rich Recording in this device, and it really produces very nice audio.

You can take advantage of this even when you’re just using the Sound Recorder.  Put it in “High Quality” mode and you’ll get really nice audio.

Take this piece, for example -

This is a short theme music that I made, for the Galacticast audio podcast on my cousin Girish’s blog Galactica.  Listen to it with headphones – the quality is great.

A couple of things about that file -

  • My cousin’s name, his blog’s name as well as the name of the podcast all begin with the letter “G”, therefore, this theme music uses the G#7 chord, and I simply played 3 of the strings!
  • Broken Plectrum is a name I came up with.  A few days before, the plectrum I was using broke.  That’s what led me to come up with this name, and I even made an image for it (as you’d expect, I shot that with the Nokia 808 PureView camera as well).

Nice, isn’t it?

That about wraps it up for this post!  As and when I come up with more interesting stuff to post and talk about, I’ll write about it.  I have an album on Facebook for 808 PureView Photos, I’ll keep adding to that.  And of course, any videos I shoot with this will be uploaded and written about later.

More Video Links

Prometheus – Unanswered Questions [SPOILERS]

Warning: This post contains SPOILERS for Prometheus.  So, don’t read if you haven’t seen the movie.

I watched Prometheus last night and liked the movie a lot.  I thought the visuals were wonderful, and the intense yet gloomy tone and the suspense in certain scenes all were very nicely done.  Noomi Rapace was great and Michael Fassbender was fantastic in his role.

BUT – I had the following nagging questions.  Some of them may be because I wasn’t observant enough, or maybe because they’re just not explained in the movie…

  • The opening scene – what was that goo which the Space Jockey took, that caused him to disintegrate?  Is that planet supposed to be Earth?  If so, did that Space Jockey create life on Earth?  Was that a mistake?
  • What was that hologram-thingy showing the Space Jockeys running and one of them getting its helmet knocked off, and later in the movie showing the Space Jockey piloting his craft with that flute?  Security cam footage of some sort?  (reminds me of a line from AVP – “finding Moses’ old DVD collection”, and here playing it back!)
  • What was the entire plan of the Space Jockeys?  They created us and they wanted to destroy us?  If so, why keep returning to Earth and leave behind a map of how to get to LV 223?  Is that an ‘invitation’ or a ‘warning’ or a ‘trap’?  And the Space Jockeys on LV 223 all died because they goofed up?  The beasties they were going to use to kill us turned on them?
  • So does each canister contain a different gooey creature, or is it just the one tentacley facehugger-inspired creature?
  • When our guys open up the chamber on LV 223, how is it that after some 2000 years, stuff in there turns on?  Is it like a tomb where the dead get reanimated?  Or is it some sort of trap?  If so, why booby trap your own station?
  • If I remember right, there were multiple structures (“military stations”?) on LV 223 – the Prometheus crew only entered one of them.  So does that mean there are other stations on LV 223?  If so, what happened to the Space Jockeys there?  Are they in charge of destroying other planets or something?  The Prometheus crew just happened to pick the right structure to enter, that pertained to human history?
  • The line “Prometheus has landed” was not there in the actual movie?  Or did I miss it?
  • So what was xenomorph in the Alien movies?  One more of the beasties that the Space Jockeys created to kill some other race?
  • Another Space Jockey was carrying one of those things, that guy also goofed up and his ship crashed on LV 426, and became the derelict in Alien?
  • Are both LV 223 and LV 426 in the same star system?
  • Why didn’t Fifield and Millburn just stay put in one of those chambers, instead of running about, trying to make contact with a blatantly obviously dangerous creature and getting themselves attacked?
  • What exactly does the icky sticky goo in the canisters do?  It mutates Holloway and Fifield – does it just turn them into zombies or is there a purpose behind that?
  • Signs that a PG-13 was targeted – only two occurrences of the word “fuck” in the dialogue, one of which (said by Fifield) is partly obscured by static.  So did they actually have more harder stuff planned in the movie that was cut out?
  • How did Janek & David figure things out so easily?  (Janek – “It’s a military station”, David knows that one of the Space Jockeys is alive)
  • What exactly is Vickers’ agenda – she knew that Weyland was alive, so was her purpose on Prometheus just to babysit Weyland and carry him to LV 223 so that he could meet his maker?
  • Why were Weyland, David and the others so trusting of the Space Jockeys at the end?  Especially after David and the others saw all the havoc going on?
  • What was that creature at the very end – mutated alien + human (from Shaw) + Space Jockey hybrid?  Does this thing evolve into the xenomorph in Alien or was it just something cool they added in this movie?
  • Going by the fact that even several years after this (in Alien) people didn’t know about the Space Jockeys’ ultimate agenda (or did they, and they just never bothered explaining it to the low class people on the Nostromo), is it safe to assume that Shaw and David died on the Space Jockeys’ home planet?
  • This leads me to believe – either they had something more elaborate planned out, and the studio forced removal of scenes to fit it to a 2 hour length; or they intend to explain things more in a sequel; or, they were simply playing with us and being all mystery-like; OR… they just didn’t think things through well enough.
  • The briefing scene in the beginning (even when I saw it in the trailer) reminded me of the Bishop-Weyland briefing scene in AVP!  Even the scene with Fifield and Millburn in the chamber reminded me of the characters caught in the tunnels in that pyramid in AVP!
  • So they’re entirely ignoring Charles Bishop Weyland from AVP, or is he some relation to Peter Weyland?
  • AVP: R if I remember right, had a reference to a Yutani, but in the timeline of Prometheus, that “merger” still hasn’t happened.  But I think like the rest of us, the filmmakers also feel, the less said about AVP: R the better.
  • The line “We are leaving!” is a direct reference to Aliens.  I saw on some forums posts referring to Vickers being an android too.  Is that trying to reference Blade Runner?  Did they just try including these references for fun?

Supermoon

Today’s moon is supposed to be a “Supermoon” – which sounds like something out of a science fiction story, if you read the Wikipedia article!  Anyway, I thought it would be a good thing to take a photo of, so here’s my shot -

“Distance-la moon-u moon-u, moon-u colour-u white-u”

I just posted this image on Facebook with that line from “Why this Kolaveri Di?” (I know, poor attempt at humour, but I couldn’t resist), but then thought I’d put it up here as well, in it’s larger size.  Click the above image to see the 1503 pixel wide JPG (it has EXIF info intact).

I think this is the best shot of the moon I’ve taken so far (earlier attempts are mentioned in a previous post).  Contrary to what you may think I didn’t use a tripod for this.  It was taken handheld, at ISO 200, f11 and 1/125 sec.  Lens was the 55-250mm and this was obviously taken at the 250mm end.  As far as I remember, I used live view and focused manually.  I took a bunch of photos, this was the best one in terms of focus and sharpness.

Cropping and a little bit of playing with levels and desaturation was done in Photoshop, and as for the font, you can always count on Futura to add elegance to anything.